Let Go by Conducta cover art

Let Go

Conducta

30s preview

Key
3A · B♭ minor
BPM
136
Open Key
8m
Energy
85/100
Pop
18/100
Length
5:01
Released
2014
Genre
Uk Garage
Loudness
-5.5 dB
Dynamics
12.1 dB
ISRC
UK6C81400006

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A driving up-tempo uk garage cut, Let Go sits in B♭ minor (3A) at 136 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2014 production that still circulates in sets. More bass-heavy than 80% of Conducta's catalogue. For programming, treat it as a peak-time weapon.

Groove:
groovier than 75% of Conducta's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy85
Mood74Bright
Groove81
Acoustic0
Instrumental68
Live38
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Let Go in?

Let Go by Conducta is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Let Go?

Let Go runs at 136 BPM, a driving up-tempo track.

What mixes well with Let Go?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Let Go good for peak time?

With energy 85 out of 100 at 136 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 136 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 85/100).

Similar tempo

Within ±3 BPM of 136 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

More from Conducta

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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