Sippin' Yak (Taiki Nulight edit)
30s preview
- BPM
- 127
- Open Key
- 4d
- Energy
- 76/100
- Pop
- 19/100
- Length
- 2:26
- Released
- 2024
- Genre
- Tech House
- Loudness
- -4.7 dB
- Dynamics
- 10.2 dB
- ISRC
- GBUM72401644
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sippin' Yak - Morgan Seatree Remixremix8B · 140
- Sippin' Yakoriginal11B · 127
Against the original (11B at 127 BPM), this version holds the same tempo in the same key.
At 127 BPM in A major (11B), Sippin' Yak (Taiki Nulight edit) is a peak-time tempo tech house production. The feel is bright and euphoric. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Groovier than 93% of Cloonee's catalogue.
- Brightness:
- brighter than 92% of Cloonee's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Sippin' Yak (Taiki Nulight edit) in?
Sippin' Yak (Taiki Nulight edit) by Cloonee is in A major, or 11B on the Camelot wheel.
What BPM is Sippin' Yak (Taiki Nulight edit)?
Sippin' Yak (Taiki Nulight edit) runs at 127 BPM, a peak-time tempo track.
What mixes well with Sippin' Yak (Taiki Nulight edit)?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Sippin' Yak (Taiki Nulight edit) good for peak time?
With energy 76 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 127 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 76/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Cloonee
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
