![The 6th Day [ Wrong Assessment Remix ] by Cleric cover art](https://i.scdn.co/image/ab67616d00001e0243b9112a1b6b3d9c10975bf2)
The 6th Day [ Wrong Assessment Remix ]
- Key
- 9A · E minor
- BPM
- 134
- Open Key
- 2m
- Energy
- 93/100
- Pop
- 1/100
- Length
- 5:33
- Released
- 2018
- Genre
- Techno
- Loudness
- -10.0 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The 6th Dayoriginal9A · 134
Against the original (9A at 134 BPM), this version holds the same tempo in the same key.
The 6th Day [ Wrong Assessment Remix ] runs 134 BPM in E minor (9A), a peak-time tempo techno record. The mix is almost entirely instrumental. A 2018 production that still circulates in sets. Less groove-driven than 81% of Cleric's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 78% of Cleric's catalogue
- Energy:
- hotter than 76% of Cleric's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The 6th Day [ Wrong Assessment Remix ] in?
The 6th Day [ Wrong Assessment Remix ] by Cleric is in E minor, or 9A on the Camelot wheel.
What BPM is The 6th Day [ Wrong Assessment Remix ]?
The 6th Day [ Wrong Assessment Remix ] runs at 134 BPM, a peak-time tempo track.
What mixes well with The 6th Day [ Wrong Assessment Remix ]?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is The 6th Day [ Wrong Assessment Remix ] good for peak time?
With energy 93 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 134 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More techno
More from Cleric
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
