
Nothing Special - Molly Mix
30s preview
- BPM
- 118
- Open Key
- 8m
- Energy
- 52/100
- Pop
- 1/100
- Length
- 7:46
- Released
- 2019
- Album
- I Also Like The Synth EP
- Genre
- Tribal House
- Loudness
- -10.3 dB
- Dynamics
- 16.0 dB
- ISRC
- GBKQU1962777
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A mid-tempo tribal house cut, Nothing Special - Molly Mix sits in B♭ minor (3A) at 118 BPM. It reads as balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). Calmer than 80% of Chronical Deep's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 78% of Chronical Deep's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Nothing Special - Molly Mix in?
Nothing Special - Molly Mix by Chronical Deep is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Nothing Special - Molly Mix?
Nothing Special - Molly Mix runs at 118 BPM, a mid-tempo track.
What mixes well with Nothing Special - Molly Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Nothing Special - Molly Mix good for peak time?
With energy 52 out of 100 at 118 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 118 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More tribal house
More from Chronical Deep
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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