When Everything Was New
30s preview
- BPM
- 122
- Open Key
- 8d
- Energy
- 85/100
- Pop
- 32/100
- Length
- 4:27
- Released
- 2024
- Genre
- Deep House
- Loudness
- -7.8 dB
- Dynamics
- 9.3 dB
- ISRC
- QM4TX2431932
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
When Everything Was New runs 122 BPM in D♭ major (3B), a club-tempo deep house record. Tonally it lands dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 94% of Christian Löffler's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- less groove-driven than 86% of Christian Löffler's catalogue
- Low end:
- more treble-tilted than 84% of Christian Löffler's catalogue
- Brightness:
- darker than 78% of Christian Löffler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is When Everything Was New in?
When Everything Was New by Christian Löffler is in D♭ major, or 3B on the Camelot wheel.
What BPM is When Everything Was New?
When Everything Was New runs at 122 BPM, a club-tempo track.
What mixes well with When Everything Was New?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is When Everything Was New good for peak time?
With energy 85 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 122 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More deep house
More from Christian Löffler
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
