Carolin by Chaim cover art

Carolin

Chaim

30s preview

Key
2B · F♯ major
BPM
125
Open Key
7d
Energy
75/100
Pop
3/100
Length
6:16
Released
2007
Genre
Minimal
Label
My Best Friend
Loudness
-10.5 dB
Dynamics
11.8 dB
ISRC
DEBW20700103

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Carolin runs 125 BPM in F♯ major (2B), a club-tempo minimal record. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2007 production that still circulates in sets. In a set it works best as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy75
Mood36Balanced
Groove78
Acoustic6
Instrumental90
Live16
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is Carolin in?

Carolin by Chaim is in F♯ major, or 2B on the Camelot wheel.

What BPM is Carolin?

Carolin runs at 125 BPM, a club-tempo track.

What mixes well with Carolin?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Carolin good for peak time?

With energy 75 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

#Track

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 125 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 75/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More minimal

More from Chaim

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track