What I Want by Carlo Lio cover art

What I Want

Carlo Lio

30s preview

Key
3A · B♭ minor
BPM
127
Open Key
8m
Energy
100/100
Pop
1/100
Length
3:56
Released
2020
Album
Mamma EP
Genre
Tech House
Loudness
-5.4 dB
Dynamics
13.3 dB
ISRC
ES7842028905

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A peak-time tempo tech house cut, What I Want sits in B♭ minor (3A) at 127 BPM. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 13 dB). Hotter than 99% of Carlo Lio's catalogue. In a set it works best as a peak-time weapon.

Groove:
less groove-driven than 99% of Carlo Lio's catalogue
Low end:
more treble-tilted than 93% of Carlo Lio's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy100
Mood18Dark
Groove41
Acoustic0
Instrumental87
Live14
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
27%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
22%
High
2.5-11 kHz

FAQ

What key is What I Want in?

What I Want by Carlo Lio is in B♭ minor, or 3A on the Camelot wheel.

What BPM is What I Want?

What I Want runs at 127 BPM, a peak-time tempo track.

What mixes well with What I Want?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is What I Want good for peak time?

With energy 100 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 127 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 100/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More tech house

More from Carlo Lio

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track