False Information
30s preview
- BPM
- 124
- Open Key
- 8m
- Energy
- 54/100
- Pop
- 0/100
- Length
- 8:17
- Released
- 2010
- Album
- False Information / Coppa
- Genre
- Tech House
- Loudness
- -9.5 dB
- Dynamics
- 9.2 dB
- ISRC
- GBGFT1000014
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- False Informationoriginal3A · 124
False Information is a club-tempo tech house track in B♭ minor (3A) at 124 BPM. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2010 production that still circulates in sets. Darker than 99% of Carlo Lio's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- more underground than 99% of Carlo Lio's catalogue
- Tempo:
- slower than 97% of Carlo Lio's catalogue
- Energy:
- calmer than 92% of Carlo Lio's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 45%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is False Information in?
False Information by Carlo Lio is in B♭ minor, or 3A on the Camelot wheel.
What BPM is False Information?
False Information runs at 124 BPM, a club-tempo track.
What mixes well with False Information?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is False Information good for peak time?
With energy 54 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 124 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Carlo Lio
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
