Your Light Shines On
30s preview
- BPM
- 126
- Open Key
- 8m
- Energy
- 93/100
- Pop
- 12/100
- Length
- 6:40
- Released
- 2016
- Album
- Intec 100
- Genre
- Techno
- Label
- Intec Digital
- Loudness
- -8.1 dB
- Dynamics
- 10.6 dB
- ISRC
- QMDA61570892
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Your Light Shines Onoriginal3A · 126
- Your Light Shines On - Chus & Ceballos 2018 Remixremix8B · 124
- Your Light Shines On - Pan-Pot Remixremix3B · 130
A club-tempo techno cut, Your Light Shines On sits in B♭ minor (3A) at 126 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. Slower than 77% of Carl Cox's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 75% of Carl Cox's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Your Light Shines On in?
Your Light Shines On by Carl Cox is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Your Light Shines On?
Your Light Shines On runs at 126 BPM, a club-tempo track.
What mixes well with Your Light Shines On?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Your Light Shines On good for peak time?
With energy 93 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Carl Cox
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
