Flipping Out by Cari Lekebusch cover art

Flipping Out

Cari Lekebusch

30s preview

Key
3A · B♭ minor
BPM
139
Open Key
8m
Energy
100/100
Pop
1/100
Length
6:08
Released
2024
Album
Pattern Recognition
Genre
Techno
Label
H. Productions
Loudness
-6.1 dB
Dynamics
8.7 dB
ISRC
FIKBL2400032

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Flipping Out is a driving up-tempo techno track in B♭ minor (3A) at 139 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 96% of Cari Lekebusch's catalogue. In a set it works best as a peak-time weapon.

Low end:
more treble-tilted than 92% of Cari Lekebusch's catalogue
Tempo:
faster than 85% of Cari Lekebusch's catalogue
Brightness:
brighter than 78% of Cari Lekebusch's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy100
Mood53Balanced
Groove77
Acoustic8
Instrumental88
Live12
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Flipping Out in?

Flipping Out by Cari Lekebusch is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Flipping Out?

Flipping Out runs at 139 BPM, a driving up-tempo track.

What mixes well with Flipping Out?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Flipping Out good for peak time?

With energy 100 out of 100 at 139 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 139 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 131-147 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 100/100).

Similar tempo

Within ±3 BPM of 139 — beatmatch without a big tempo pull.

#Track

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Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 139 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track