Get Funky
- BPM
- 175
- Half-time
- 88
- Open Key
- 3m
- Energy
- 91/100
- Pop
- 6/100
- Length
- 4:26
- Released
- 2009
- Genre
- Drum N Bass
- Loudness
- -4.0 dB
- ISRC
- GBTMZ0950010
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Get Funky is a drum n bass track in B minor (10A) at 175 BPM. It is vocal-led. The master is loud and heavily compressed. A 2009 production that still circulates in sets. Brighter than 84% of Camo & Krooked's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Get Funky in?
Get Funky by Camo & Krooked is in B minor, or 10A on the Camelot wheel.
What BPM is Get Funky?
Get Funky runs at 175 BPM.
What mixes well with Get Funky?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Get Funky good for peak time?
With energy 91 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 175 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from Camo & Krooked
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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