Timelapse
30s preview
- BPM
- 125
- Open Key
- 3d
- Energy
- 61/100
- Pop
- 47/100
- Length
- 8:13
- Released
- 2022
- Genre
- Tech House
- Loudness
- -10.6 dB
- Dynamics
- 12.6 dB
- ISRC
- DEY472278035
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo tech house cut, Timelapse sits in D major (10B) at 125 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). Slower than 99% of Boris Brejcha's catalogue. In a set it works best as a mid-set roller.
- Reach:
- better known than 93% of Boris Brejcha's catalogue
- Groove:
- groovier than 81% of Boris Brejcha's catalogue
- Low end:
- more treble-tilted than 81% of Boris Brejcha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Timelapse in?
Timelapse by Boris Brejcha is in D major, or 10B on the Camelot wheel.
What BPM is Timelapse?
Timelapse runs at 125 BPM, a club-tempo track.
What mixes well with Timelapse?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Timelapse good for peak time?
With energy 61 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 125 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Boris Brejcha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
