That‘s The Funky Shit - Remastered by Boris Brejcha cover art

That‘s The Funky Shit - Remastered

Boris Brejcha

Key
1A · A♭ minor
BPM
125
Open Key
6m
Energy
76/100
Pop
5/100
Length
8:36
Released
2012
Album
Classic Collectors Box Part 3
Genre
Tech House
Label
Harthouse
Loudness
-9.1 dB
ISRC
DEKB72084986

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

That‘s The Funky Shit - Remastered is a club-tempo tech house track in A♭ minor (1A) at 125 BPM. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2012 production that still circulates in sets. Slower than 99% of Boris Brejcha's catalogue. For programming, treat it as a peak-time weapon.

Energy:
hotter than 81% of Boris Brejcha's catalogue
Reach:
more underground than 80% of Boris Brejcha's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy76
Mood34Balanced
Groove80
Acoustic1
Instrumental90
Live10
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is That‘s The Funky Shit - Remastered in?

That‘s The Funky Shit - Remastered by Boris Brejcha is in A♭ minor, or 1A on the Camelot wheel.

What BPM is That‘s The Funky Shit - Remastered?

That‘s The Funky Shit - Remastered runs at 125 BPM, a club-tempo track.

What mixes well with That‘s The Funky Shit - Remastered?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is That‘s The Funky Shit - Remastered good for peak time?

With energy 76 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 125 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 76/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#Track

More tech house

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Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track