Mr. Hendrix
30s preview
- BPM
- 125
- Open Key
- 3m
- Energy
- 67/100
- Pop
- 24/100
- Length
- 8:21
- Released
- 2016
- Album
- 22
- Genre
- Techno
- Label
- FCKNG SERIOUS
- Loudness
- -10.7 dB
- Dynamics
- 13.6 dB
- ISRC
- DEKB71534069
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Mr. Hendrix runs 125 BPM in B minor (10A), a club-tempo techno record. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2016 production that still circulates in sets. Slower than 99% of Boris Brejcha's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 78% of Boris Brejcha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Mr. Hendrix in?
Mr. Hendrix by Boris Brejcha is in B minor, or 10A on the Camelot wheel.
What BPM is Mr. Hendrix?
Mr. Hendrix runs at 125 BPM, a club-tempo track.
What mixes well with Mr. Hendrix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Mr. Hendrix good for peak time?
With energy 67 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Boris Brejcha
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.