Joystick
30s preview
- BPM
- 125
- Open Key
- 8d
- Energy
- 65/100
- Pop
- 4/100
- Length
- 7:25
- Released
- 2009
- Genre
- Techno
- Label
- Harthouse Digital
- Loudness
- -9.4 dB
- Dynamics
- 11.8 dB
- ISRC
- DEAZ30905406
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Joystick (Remastered)original10A · 125
Joystick is a club-tempo techno track in D♭ major (3B) at 125 BPM. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2009 production that still circulates in sets. Slower than 99% of Boris Brejcha's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 96% of Boris Brejcha's catalogue
- Brightness:
- darker than 88% of Boris Brejcha's catalogue
- Reach:
- more underground than 87% of Boris Brejcha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Joystick in?
Joystick by Boris Brejcha is in D♭ major, or 3B on the Camelot wheel.
What BPM is Joystick?
Joystick runs at 125 BPM, a club-tempo track.
What mixes well with Joystick?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Joystick good for peak time?
With energy 65 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Boris Brejcha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
