Die Maschine auf Diskette 2
30s preview
- BPM
- 125
- Open Key
- 3m
- Energy
- 74/100
- Pop
- 48/100
- Length
- 7:33
- Released
- 2025
- Genre
- Techno
- Label
- Harthouse
- Loudness
- -10.8 dB
- Dynamics
- 11.4 dB
- ISRC
- DEKB72450589
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo techno cut, Die Maschine auf Diskette 2 sits in B minor (10A) at 125 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). Slower than 99% of Boris Brejcha's catalogue. In a set it works best as a floor-filler.
- Reach:
- better known than 95% of Boris Brejcha's catalogue
- Groove:
- less groove-driven than 93% of Boris Brejcha's catalogue
- Low end:
- more treble-tilted than 85% of Boris Brejcha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Die Maschine auf Diskette 2 in?
Die Maschine auf Diskette 2 by Boris Brejcha is in B minor, or 10A on the Camelot wheel.
What BPM is Die Maschine auf Diskette 2?
Die Maschine auf Diskette 2 runs at 125 BPM, a club-tempo track.
What mixes well with Die Maschine auf Diskette 2?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Die Maschine auf Diskette 2 good for peak time?
With energy 74 out of 100 at 125 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Boris Brejcha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
