Line of Fire (feat. Karin Park) - Radio Edit
30s preview
- BPM
- 122
- Open Key
- 8d
- Energy
- 82/100
- Pop
- 0/100
- Length
- 3:23
- Released
- 2015
- Album
- Line of Fire [feat. Karin Park]
- Genre
- Tech House
- Loudness
- -8.7 dB
- Dynamics
- 10.2 dB
- ISRC
- DETO31400142
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Line Of Fire - Booka's Club Radio Editversion3B · 122
- Line Of Fire - Booka's Club Mixversion3B · 122
- Line of Fire (feat. Karin Park) - 9 Squares Remixremix8B · 118
- Line of Fire (feat. Karin Park) - Tube & Berger Radio Editversion3B · 122
- Line of Fire (feat. Karin Park) - Tube & Berger Remixremix3B · 122
- Line Of Fire (feat. Karin Park) [Dance Cult Remix]remix3B · 122
Line of Fire (feat. Karin Park) - Radio Edit: club-tempo tech house, D♭ major (3B), 122 BPM. The feel is punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2015 production that still circulates in sets. More underground than 99% of Booka Shade's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 91% of Booka Shade's catalogue
- Tempo:
- slower than 81% of Booka Shade's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Line of Fire (feat. Karin Park) - Radio Edit in?
Line of Fire (feat. Karin Park) - Radio Edit by Booka Shade is in D♭ major, or 3B on the Camelot wheel.
What BPM is Line of Fire (feat. Karin Park) - Radio Edit?
Line of Fire (feat. Karin Park) - Radio Edit runs at 122 BPM, a club-tempo track.
What mixes well with Line of Fire (feat. Karin Park) - Radio Edit?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Line of Fire (feat. Karin Park) - Radio Edit good for peak time?
With energy 82 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 122 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tech house
More from Booka Shade
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
