Lost In Mind - Volen Sentir Extended Vision
30s preview
- BPM
- 124
- Open Key
- 8m
- Energy
- 75/100
- Pop
- 23/100
- Length
- 7:14
- Released
- 2020
- Album
- Lost In Mind (Volen Sentir Mixes)
- Genre
- Deep House
- Label
- Anjunadeep
- Loudness
- -7.6 dB
- Dynamics
- 11.7 dB
- ISRC
- GBEWA1906102
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lost in Mindoriginal3A · 124
- Lost In Mind - Volen Sentir Interpretationoriginal3A · 123
- Lost In Mindoriginal3A · 124
- Lost In Mind - Volen Sentir Extended Interpretationversion4A · 123
Against the original (3A at 124 BPM), this version holds the same tempo in the same key.
Lost In Mind - Volen Sentir Extended Vision runs 124 BPM in B♭ minor (3A), a club-tempo deep house record. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Brighter than 91% of Ben Böhmer's catalogue. For programming, treat it as a floor-filler.
- Groove:
- groovier than 88% of Ben Böhmer's catalogue
- Energy:
- hotter than 76% of Ben Böhmer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Lost In Mind - Volen Sentir Extended Vision in?
Lost In Mind - Volen Sentir Extended Vision by Ben Böhmer is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Lost In Mind - Volen Sentir Extended Vision?
Lost In Mind - Volen Sentir Extended Vision runs at 124 BPM, a club-tempo track.
What mixes well with Lost In Mind - Volen Sentir Extended Vision?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Lost In Mind - Volen Sentir Extended Vision good for peak time?
With energy 75 out of 100 at 124 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 124 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
