Into the Blue by Bcee cover art

Into the Blue

Bcee

Key
8A · A minor
BPM
140
Half-time
70
Open Key
1m
Energy
73/100
Pop
0/100
Length
4:15
Released
2013
Genre
Drum N Bass
Loudness
-6.8 dB
ISRC
TCADM1862202

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Into the Blue: driving up-tempo drum n bass, A minor (8A), 140 BPM. It reads as punchy, neutral in mood. A 2013 production that still circulates in sets. More underground than 99% of Bcee's catalogue. For programming, treat it as a high-intensity peak cut.

Energy:
calmer than 93% of Bcee's catalogue
Tempo:
slower than 84% of Bcee's catalogue
Brightness:
brighter than 84% of Bcee's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy73
Mood63Balanced
Groove65
Acoustic2
Instrumental56
Live30
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Into the Blue in?

Into the Blue by Bcee is in A minor, or 8A on the Camelot wheel.

What BPM is Into the Blue?

Into the Blue runs at 140 BPM, a driving up-tempo track.

What mixes well with Into the Blue?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Into the Blue good for peak time?

With energy 73 out of 100 at 140 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#TrackKey·BPM

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 140 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Bcee

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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