Take Me Back To Your House (Kurd Maverick Remix) by Basement Jaxx cover art

Take Me Back To Your House (Kurd Maverick Remix)

Basement Jaxx

30s preview

Key
3A · B♭ minor
BPM
125
Open Key
8m
Energy
63/100
Pop
4/100
Length
6:16
Released
2006
Album
Take Me Back to Your House
Genre
House
Label
XL Recordings
Loudness
-8.7 dB
Dynamics
15.3 dB
ISRC
GBBKS0600203

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (2A at 125 BPM), this version holds the same tempo and moves the key from 2A to 3A.

At 125 BPM in B♭ minor (3A), Take Me Back To Your House (Kurd Maverick Remix) is a club-tempo house production. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 15 dB). A 2006 production that still circulates in sets. Groovier than 83% of Basement Jaxx's catalogue.

Energy:
calmer than 81% of Basement Jaxx's catalogue
Low end:
more treble-tilted than 80% of Basement Jaxx's catalogue
Tempo:
slower than 78% of Basement Jaxx's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy63
Mood70Bright
Groove80
Acoustic8
Instrumental85
Live8
Speech11

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Take Me Back To Your House (Kurd Maverick Remix) in?

Take Me Back To Your House (Kurd Maverick Remix) by Basement Jaxx is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Take Me Back To Your House (Kurd Maverick Remix)?

Take Me Back To Your House (Kurd Maverick Remix) runs at 125 BPM, a club-tempo track.

What mixes well with Take Me Back To Your House (Kurd Maverick Remix)?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Take Me Back To Your House (Kurd Maverick Remix) good for peak time?

With energy 63 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More house

More from Basement Jaxx

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track