Lose Myself - Original Mix
30s preview
- BPM
- 123
- Open Key
- 7d
- Energy
- 81/100
- Pop
- 19/100
- Length
- 6:50
- Released
- 2016
- Album
- Lose Myself
- Genre
- House
- Label
- Sirup Music
- Loudness
- -6.8 dB
- Dynamics
- 16.8 dB
- ISRC
- GBLV61509875
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 123 BPM in F♯ major (2B), Lose Myself - Original Mix is a club-tempo house production. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. The master keeps unusual dynamic range for club music (crest 17 dB). A 2016 production that still circulates in sets. More treble-tilted than 97% of Ashibah's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- slower than 77% of Ashibah's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 22%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Lose Myself - Original Mix in?
Lose Myself - Original Mix by Ashibah is in F♯ major, or 2B on the Camelot wheel.
What BPM is Lose Myself - Original Mix?
Lose Myself - Original Mix runs at 123 BPM, a club-tempo track.
What mixes well with Lose Myself - Original Mix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Lose Myself - Original Mix good for peak time?
With energy 81 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 123 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
