NYC Beat by Armand Van Helden cover art

30s preview

Key
6A · G minor
BPM
124
Open Key
11m
Energy
82/100
Pop
0/100
Length
7:17
Released
2007
Genre
House
Loudness
-7.6 dB
Dynamics
10.7 dB
ISRC
GBEFR0701014

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

NYC Beat: club-tempo house, G minor (6A), 124 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. Vocals read as instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2007 production that still circulates in sets. More underground than 99% of Armand Van Helden's catalogue. For programming, treat it as a peak-time weapon.

Low end:
more bass-heavy than 92% of Armand Van Helden's catalogue
Tempo:
slower than 84% of Armand Van Helden's catalogue
Brightness:
brighter than 82% of Armand Van Helden's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood78Bright
Groove74
Acoustic1
Instrumental43
Live12
Speech5
darkrelaxedinstrumental

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is NYC Beat in?

NYC Beat by Armand Van Helden is in G minor, or 6A on the Camelot wheel.

What BPM is NYC Beat?

NYC Beat runs at 124 BPM, a club-tempo track.

What mixes well with NYC Beat?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is NYC Beat good for peak time?

With energy 82 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 124 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 82/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

#TrackKey·BPM

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#TrackKey·BPM

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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