Daaboodaa Munks
30s preview
- Key
- 1B · B major
- BPM
- 100
- Double-time
- 200
- Open Key
- 6d
- Energy
- 71/100
- Pop
- 3/100
- Length
- 3:56
- Released
- 1997
- Genre
- Electro
- Loudness
- -9.8 dB
- Dynamics
- 14.1 dB
- ISRC
- GBAMY9700243
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Daaboodaa Munks runs 100 BPM in B major (1B), a slow-groove tempo electro record. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 1997 production that still circulates in sets. Slower than 97% of Armand Van Helden's catalogue. For programming, treat it as a floor-filler.
- Low end:
- more bass-heavy than 95% of Armand Van Helden's catalogue
- Brightness:
- darker than 93% of Armand Van Helden's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Daaboodaa Munks in?
Daaboodaa Munks by Armand Van Helden is in B major, or 1B on the Camelot wheel.
What BPM is Daaboodaa Munks?
Daaboodaa Munks runs at 100 BPM, a slow-groove tempo track.
What mixes well with Daaboodaa Munks?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Daaboodaa Munks good for peak time?
With energy 71 out of 100 at 100 BPM, it works best as a floor-filler.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 100 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 100 — beatmatch without a big tempo pull.
More electro
More from Armand Van Helden
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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