Holdon - Raz Ohara's A Minor Version
30s preview
- Key
- 8A · A minor
- BPM
- 114
- Open Key
- 1m
- Energy
- 4/100
- Pop
- 0/100
- Length
- 3:10
- Released
- 2008
- Album
- Things To Be Frickled
- Genre
- Ambient
- Loudness
- -16.0 dB
- Dynamics
- 10.8 dB
- ISRC
- DEX180800021
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Holdonoriginal10A · 105
- Holdonoriginal10A · 105
- Holdon - CLP Mixoriginal11A · 110
- Holdon - Modeselektor remixremix3B · 111
Holdon - Raz Ohara's A Minor Version runs 114 BPM in A minor (8A), a mid-tempo ambient record. The feel is brooding and low-slung. The groove is loose and less beat-driven. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2008 production that still circulates in sets. More underground than 99% of Apparat's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 98% of Apparat's catalogue
- Low end:
- more bass-heavy than 85% of Apparat's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Holdon - Raz Ohara's A Minor Version in?
Holdon - Raz Ohara's A Minor Version by Apparat is in A minor, or 8A on the Camelot wheel.
What BPM is Holdon - Raz Ohara's A Minor Version?
Holdon - Raz Ohara's A Minor Version runs at 114 BPM, a mid-tempo track.
What mixes well with Holdon - Raz Ohara's A Minor Version?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Holdon - Raz Ohara's A Minor Version good for peak time?
With energy 4 out of 100 at 114 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 114 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 107-121 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 114 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 114 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
