Edison
30s preview
- Key
- 9B · G major
- BPM
- 112
- Open Key
- 2d
- Energy
- 35/100
- Pop
- 0/100
- Length
- 3:46
- Released
- 2006
- Genre
- Ambient
- Loudness
- -15.0 dB
- Dynamics
- 16.5 dB
- ISRC
- DEAE60600555
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 112 BPM in G major (9B), Edison is a mid-tempo ambient production. It reads as subdued and even. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 2006 production that still circulates in sets. More underground than 99% of Apparat's catalogue. In a set it works best as a warm-up or breakdown cut.
- Brightness:
- brighter than 89% of Apparat's catalogue
- Low end:
- more bass-heavy than 80% of Apparat's catalogue
- Energy:
- calmer than 78% of Apparat's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Edison in?
Edison by Apparat is in G major, or 9B on the Camelot wheel.
What BPM is Edison?
Edison runs at 112 BPM, a mid-tempo track.
What mixes well with Edison?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Edison good for peak time?
With energy 35 out of 100 at 112 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 112 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 105-119 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 112 — beatmatch without a big tempo pull.
More ambient
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 112 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
