The Rim (Mintech Remix)
- BPM
- 130
- Open Key
- 5m
- Energy
- 60/100
- Pop
- 0/100
- Length
- 8:18
- Released
- 2010
- Album
- The Rim Ep
- Genre
- Techno
- Loudness
- -11.6 dB
- ISRC
- ITS750902093
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Rim (Alex Modigliani Remix)remix11A · 127
- The Rim (Original Mix)original3B · 128
- The Rim (Oskar Dabro Remix)remix10B · 131
- The Rim (Worakls Remix)remix9A · 128
Against the original (3B at 128 BPM), this version runs 2 BPM faster and moves the key from 3B to 12A.
A peak-time tempo techno cut, The Rim (Mintech Remix) sits in D♭ minor (12A) at 130 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. More underground than 99% of AnGy KoRe's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 92% of AnGy KoRe's catalogue
- Brightness:
- darker than 92% of AnGy KoRe's catalogue
- Groove:
- groovier than 85% of AnGy KoRe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Rim (Mintech Remix) in?
The Rim (Mintech Remix) by AnGy KoRe is in D♭ minor, or 12A on the Camelot wheel.
What BPM is The Rim (Mintech Remix)?
The Rim (Mintech Remix) runs at 130 BPM, a peak-time tempo track.
What mixes well with The Rim (Mintech Remix)?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is The Rim (Mintech Remix) good for peak time?
With energy 60 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 130 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from AnGy KoRe
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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