No tenshi
30s preview
- BPM
- 126
- Open Key
- 8d
- Energy
- 43/100
- Pop
- 0/100
- Length
- 6:07
- Released
- 2016
- Album
- Hande gewaschen
- Genre
- Techno
- Loudness
- -18.2 dB
- Dynamics
- 7.8 dB
- ISRC
- CA5KR1524926
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- No Tenshi - The Extraverse Remixremix11A · 130
No tenshi runs 126 BPM in D♭ major (3B), a club-tempo techno record. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. Calmer than 99% of AnGy KoRe's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of AnGy KoRe's catalogue
- Low end:
- more bass-heavy than 99% of AnGy KoRe's catalogue
- Tempo:
- slower than 97% of AnGy KoRe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 56%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 8%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is No tenshi in?
No tenshi by AnGy KoRe is in D♭ major, or 3B on the Camelot wheel.
What BPM is No tenshi?
No tenshi runs at 126 BPM, a club-tempo track.
What mixes well with No tenshi?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is No tenshi good for peak time?
With energy 43 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from AnGy KoRe
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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