Hypersexual Disturb - NHB vs MANY REASONS aka MINICOOL BOYZ Remix
30s preview
- BPM
- 127
- Open Key
- 3m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 7:21
- Released
- 2015
- Album
- Disturbs Remixes
- Genre
- Techno
- Loudness
- -8.8 dB
- Dynamics
- 10.0 dB
- ISRC
- IT1K41400019
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hypersexual Disturb - Frankyeffe Remixremix1B · 128
- Hypersexual Disturboriginal8B · 128
Against the original (8B at 128 BPM), this version runs 1 BPM slower and moves the key from 8B to 10A.
Hypersexual Disturb - NHB vs MANY REASONS aka MINICOOL BOYZ Remix: peak-time tempo techno, B minor (10A), 127 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2015 production that still circulates in sets. More underground than 99% of AnGy KoRe's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 97% of AnGy KoRe's catalogue
- Tempo:
- slower than 90% of AnGy KoRe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Hypersexual Disturb - NHB vs MANY REASONS aka MINICOOL BOYZ Remix in?
Hypersexual Disturb - NHB vs MANY REASONS aka MINICOOL BOYZ Remix by AnGy KoRe is in B minor, or 10A on the Camelot wheel.
What BPM is Hypersexual Disturb - NHB vs MANY REASONS aka MINICOOL BOYZ Remix?
Hypersexual Disturb - NHB vs MANY REASONS aka MINICOOL BOYZ Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Hypersexual Disturb - NHB vs MANY REASONS aka MINICOOL BOYZ Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Hypersexual Disturb - NHB vs MANY REASONS aka MINICOOL BOYZ Remix good for peak time?
With energy 92 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 127 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from AnGy KoRe
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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