Angy Kore, Gabriel Padrevita - Sharmell
30s preview
- BPM
- 150
- Half-time
- 75
- Open Key
- 5m
- Energy
- 83/100
- Pop
- 0/100
- Length
- 5:34
- Released
- 2022
- Album
- Sharmell
- Genre
- Techno
- Loudness
- -7.5 dB
- Dynamics
- 7.6 dB
- ISRC
- QZMHN2202977
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Angy Kore, Gabriel Padrevita - Rottweileroriginal11A · 75
A fast techno cut, Angy Kore, Gabriel Padrevita - Sharmell sits in D♭ minor (12A) at 150 BPM. Tonally it lands punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of AnGy KoRe's catalogue. In a set it works best as a high-intensity peak cut.
- Low end:
- more bass-heavy than 87% of AnGy KoRe's catalogue
- Brightness:
- brighter than 83% of AnGy KoRe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Angy Kore, Gabriel Padrevita - Sharmell in?
Angy Kore, Gabriel Padrevita - Sharmell by AnGy KoRe is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Angy Kore, Gabriel Padrevita - Sharmell?
Angy Kore, Gabriel Padrevita - Sharmell runs at 150 BPM, a fast track.
What mixes well with Angy Kore, Gabriel Padrevita - Sharmell?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Angy Kore, Gabriel Padrevita - Sharmell good for peak time?
With energy 83 out of 100 at 150 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 150 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More techno
More from AnGy KoRe
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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