
Triangle
- BPM
- 128
- Open Key
- 9d
- Energy
- 67/100
- Pop
- 3/100
- Length
- 6:04
- Released
- 2002
- Genre
- Techno
- Loudness
- -10.4 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo techno cut, Triangle sits in A♭ major (4B) at 128 BPM. It reads as dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2002 production that still circulates in sets. Less groove-driven than 97% of Adam Beyer's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 87% of Adam Beyer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Triangle in?
Triangle by Adam Beyer is in A♭ major, or 4B on the Camelot wheel.
What BPM is Triangle?
Triangle runs at 128 BPM, a peak-time tempo track.
What mixes well with Triangle?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Triangle good for peak time?
With energy 67 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 128 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Adam Beyer
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.