This Love Kills Me - Gabriel & Dresden Club Mix - Above & Beyond Respray
30s preview
- Key
- 9B · G major
- BPM
- 126
- Open Key
- 2d
- Energy
- 50/100
- Pop
- 8/100
- Length
- 6:17
- Released
- 2017
- Album
- This Love Kills Me (The Respray)
- Genre
- Progressive Trance
- Loudness
- -6.9 dB
- Dynamics
- 10.6 dB
- ISRC
- GBEWA1702432
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
A club-tempo progressive trance cut, This Love Kills Me - Gabriel & Dresden Club Mix - Above & Beyond Respray sits in G major (9B) at 126 BPM. It reads as dark and steady. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. Groovier than 96% of Above & Beyond's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 91% of Above & Beyond's catalogue
- Energy:
- calmer than 82% of Above & Beyond's catalogue
- Tempo:
- slower than 78% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is This Love Kills Me - Gabriel & Dresden Club Mix - Above & Beyond Respray in?
This Love Kills Me - Gabriel & Dresden Club Mix - Above & Beyond Respray by Above & Beyond is in G major, or 9B on the Camelot wheel.
What BPM is This Love Kills Me - Gabriel & Dresden Club Mix - Above & Beyond Respray?
This Love Kills Me - Gabriel & Dresden Club Mix - Above & Beyond Respray runs at 126 BPM, a club-tempo track.
What mixes well with This Love Kills Me - Gabriel & Dresden Club Mix - Above & Beyond Respray?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is This Love Kills Me - Gabriel & Dresden Club Mix - Above & Beyond Respray good for peak time?
With energy 50 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 126 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive trance
More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.