Into The Light
30s preview
- BPM
- 78
- Double-time
- 156
- Open Key
- 7m
- Energy
- 26/100
- Pop
- 0/100
- Length
- 1:52
- Released
- 2025
- Album
- Bigger Than All Of Us
- Genre
- Trance
- Loudness
- -14.1 dB
- Dynamics
- 10.2 dB
- ISRC
- GBEWA2503098
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Into The Light runs 78 BPM in E♭ minor (2A), a trance record. Tonally it lands brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of Above & Beyond's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Tempo:
- slower than 98% of Above & Beyond's catalogue
- Low end:
- more bass-heavy than 98% of Above & Beyond's catalogue
- Groove:
- less groove-driven than 97% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 3%
- High
- 2.5-11 kHz
FAQ
What key is Into The Light in?
Into The Light by Above & Beyond is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Into The Light?
Into The Light runs at 78 BPM.
What mixes well with Into The Light?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Into The Light good for peak time?
With energy 26 out of 100 at 78 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 78 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 73-83 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 78 — beatmatch without a big tempo pull.
More trance
More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 78 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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