Tune Duties
30s preview
- Key
- 7A · D minor
- BPM
- 126
- Open Key
- 12m
- Energy
- 89/100
- Pop
- 0/100
- Length
- 9:54
- Released
- 2006
- Genre
- Progressive House
- Loudness
- -6.7 dB
- Dynamics
- 12.9 dB
- ISRC
- NLF710800125
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo progressive house cut, Tune Duties sits in D minor (7A) at 126 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2006 production that still circulates in sets. More underground than 99% of 16BL's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 91% of 16BL's catalogue
- Energy:
- hotter than 89% of 16BL's catalogue
- Groove:
- groovier than 85% of 16BL's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Tune Duties in?
Tune Duties by 16BL is in D minor, or 7A on the Camelot wheel.
What BPM is Tune Duties?
Tune Duties runs at 126 BPM, a club-tempo track.
What mixes well with Tune Duties?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Tune Duties good for peak time?
With energy 89 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 126 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from 16BL
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
