Trigonal - Original Mix
30s preview
- Key
- 8B · C major
- BPM
- 122
- Open Key
- 1d
- Energy
- 48/100
- Pop
- 0/100
- Length
- 7:32
- Released
- 2016
- Album
- Trigonal / Grey Matter
- Genre
- Tech House
- Loudness
- -11.9 dB
- Dynamics
- 9.7 dB
- ISRC
- GBSCL1634048
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Trigonal - D-Nox & Beckers Remixremix3B · 122
At 122 BPM in C major (8B), Trigonal - Original Mix is a club-tempo tech house production. It reads as balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More underground than 99% of Third Son's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 90% of Third Son's catalogue
- Brightness:
- brighter than 78% of Third Son's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Trigonal - Original Mix in?
Trigonal - Original Mix by Third Son is in C major, or 8B on the Camelot wheel.
What BPM is Trigonal - Original Mix?
Trigonal - Original Mix runs at 122 BPM, a club-tempo track.
What mixes well with Trigonal - Original Mix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Trigonal - Original Mix good for peak time?
With energy 48 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 122 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tech house
More from Third Son
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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