Roath - Original Mix
30s preview
- BPM
- 123
- Open Key
- 8d
- Energy
- 70/100
- Pop
- 0/100
- Length
- 8:26
- Released
- 2018
- Album
- Pieces Of Me (Part 2)
- Genre
- Tech House
- Loudness
- -10.5 dB
- Dynamics
- 9.0 dB
- ISRC
- UKFMN1600035
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Roath - Original Mix is a club-tempo tech house track in D♭ major (3B) at 123 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. More underground than 99% of Third Son's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 95% of Third Son's catalogue
- Brightness:
- darker than 90% of Third Son's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 50%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 2%
- High
- 2.5-11 kHz
FAQ
What key is Roath - Original Mix in?
Roath - Original Mix by Third Son is in D♭ major, or 3B on the Camelot wheel.
What BPM is Roath - Original Mix?
Roath - Original Mix runs at 123 BPM, a club-tempo track.
What mixes well with Roath - Original Mix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Roath - Original Mix good for peak time?
With energy 70 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 123 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Third Son
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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