Cognitive Dissonance - Clarian Remix
30s preview
- BPM
- 120
- Open Key
- 8m
- Energy
- 80/100
- Pop
- 2/100
- Length
- 6:57
- Released
- 2018
- Album
- National Anthem
- Genre
- Tech House
- Loudness
- -11.5 dB
- Dynamics
- 11.5 dB
- ISRC
- UKFMN1600058
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Cognitive Dissonanceoriginal3B · 125
Against the original (3B at 125 BPM), this version runs 5 BPM slower and moves the key from 3B to 3A.
Cognitive Dissonance - Clarian Remix runs 120 BPM in B♭ minor (3A), a club-tempo tech house record. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2018 production that still circulates in sets. Slower than 92% of Third Son's catalogue. For programming, treat it as a floor-filler.
- Low end:
- more bass-heavy than 91% of Third Son's catalogue
- Reach:
- better known than 89% of Third Son's catalogue
- Brightness:
- darker than 79% of Third Son's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 48%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 3%
- High
- 2.5-11 kHz
FAQ
What key is Cognitive Dissonance - Clarian Remix in?
Cognitive Dissonance - Clarian Remix by Third Son is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Cognitive Dissonance - Clarian Remix?
Cognitive Dissonance - Clarian Remix runs at 120 BPM, a club-tempo track.
What mixes well with Cognitive Dissonance - Clarian Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Cognitive Dissonance - Clarian Remix good for peak time?
With energy 80 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 120 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Third Son
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.