
Ghost in Love
- Key
- 8A · A minor
- BPM
- 123
- Open Key
- 1m
- Energy
- 54/100
- Pop
- 0/100
- Length
- 4:24
- Released
- 2009
- Genre
- Techno
- Loudness
- -8.2 dB
- ISRC
- DEAF75108741
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Ghost in Love runs 123 BPM in A minor (8A), a club-tempo techno record. The feel is dark and steady. It is vocal-led. The timbre leans dark. A 2009 production that still circulates in sets. More underground than 99% of Terence Fixmer's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 88% of Terence Fixmer's catalogue
- Energy:
- calmer than 82% of Terence Fixmer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Ghost in Love in?
Ghost in Love by Terence Fixmer is in A minor, or 8A on the Camelot wheel.
What BPM is Ghost in Love?
Ghost in Love runs at 123 BPM, a club-tempo track.
What mixes well with Ghost in Love?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Ghost in Love good for peak time?
With energy 54 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 123 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More techno
More from Terence Fixmer
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.