Ghost in Love by Terence Fixmer cover art

Ghost in Love

Terence Fixmer

Key
8A · A minor
BPM
123
Open Key
1m
Energy
54/100
Pop
0/100
Length
4:24
Released
2009
Genre
Techno
Loudness
-8.2 dB
ISRC
DEAF75108741

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Ghost in Love runs 123 BPM in A minor (8A), a club-tempo techno record. The feel is dark and steady. It is vocal-led. The timbre leans dark. A 2009 production that still circulates in sets. More underground than 99% of Terence Fixmer's catalogue. In a set it works best as a mid-set roller.

Tempo:
slower than 88% of Terence Fixmer's catalogue
Energy:
calmer than 82% of Terence Fixmer's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy54
Mood24Dark
Groove61
Acoustic2
Instrumental0
Live10
Speech5
darkrelaxedvoice

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Ghost in Love in?

Ghost in Love by Terence Fixmer is in A minor, or 8A on the Camelot wheel.

What BPM is Ghost in Love?

Ghost in Love runs at 123 BPM, a club-tempo track.

What mixes well with Ghost in Love?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Ghost in Love good for peak time?

With energy 54 out of 100 at 123 BPM, it works best as a mid-set roller.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 123 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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