Curve (album edit)
30s preview
- BPM
- 124
- Open Key
- 4m
- Energy
- 73/100
- Pop
- 4/100
- Length
- 5:41
- Released
- 2023
- Genre
- Progressive House
- Loudness
- -10.3 dB
- Dynamics
- 8.7 dB
- ISRC
- GBKQU2387158
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Curve - Invōker Mixoriginal11A · 124
- Curveoriginal11A · 124
Against the original (11A at 124 BPM), this version holds the same tempo in the same key.
At 124 BPM in F♯ minor (11A), Curve (album edit) is a club-tempo progressive house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Slower than 90% of Spencer Brown's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 86% of Spencer Brown's catalogue
- Reach:
- more underground than 75% of Spencer Brown's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Curve (album edit) in?
Curve (album edit) by Spencer Brown is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Curve (album edit)?
Curve (album edit) runs at 124 BPM, a club-tempo track.
What mixes well with Curve (album edit)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Curve (album edit) good for peak time?
With energy 73 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 124 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More progressive house
More from Spencer Brown
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
