Disturbed - Franco Cinelli Edit Mix
30s preview
- BPM
- 125
- Open Key
- 8m
- Energy
- 69/100
- Pop
- 1/100
- Length
- 8:00
- Released
- 2014
- Album
- Disturbed EP
- Genre
- Progressive House
- Loudness
- -10.4 dB
- Dynamics
- 9.9 dB
- ISRC
- DEKB71434481
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Disturbedoriginal11B · 125
- Disturbed - Franco Cinelli Long Editversion3A · 125
- Disturbed - Prime Time Remixremix10B · 125
Against the original (11B at 125 BPM), this version holds the same tempo and moves the key from 11B to 3A.
At 125 BPM in B♭ minor (3A), Disturbed - Franco Cinelli Edit Mix is a club-tempo progressive house production. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. More bass-heavy than 92% of Soundexile's catalogue.
- Brightness:
- darker than 78% of Soundexile's catalogue
- Reach:
- more underground than 77% of Soundexile's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 48%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Disturbed - Franco Cinelli Edit Mix in?
Disturbed - Franco Cinelli Edit Mix by Soundexile is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Disturbed - Franco Cinelli Edit Mix?
Disturbed - Franco Cinelli Edit Mix runs at 125 BPM, a club-tempo track.
What mixes well with Disturbed - Franco Cinelli Edit Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Disturbed - Franco Cinelli Edit Mix good for peak time?
With energy 69 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive house
More from Soundexile
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
