All Gone Pete Tong & Skream Miami 2013 Mixtape by Skream cover art

All Gone Pete Tong & Skream Miami 2013 Mixtape

Skream

Key
10A · B minor
BPM
124
Open Key
3m
Energy
67/100
Pop
0/100
Length
5:08
Released
2013
Genre
Techno
Loudness
-7.4 dB
ISRC
GBCPZ1306837

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

All Gone Pete Tong & Skream Miami 2013 Mixtape is a club-tempo techno track in B minor (10A) at 124 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. A 2013 production that still circulates in sets. More underground than 99% of Skream's catalogue. For programming, treat it as a mid-set roller.

Tempo:
slower than 91% of Skream's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy67
Mood45Balanced
Groove76
Acoustic0
Instrumental47
Live7
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is All Gone Pete Tong & Skream Miami 2013 Mixtape in?

All Gone Pete Tong & Skream Miami 2013 Mixtape by Skream is in B minor, or 10A on the Camelot wheel.

What BPM is All Gone Pete Tong & Skream Miami 2013 Mixtape?

All Gone Pete Tong & Skream Miami 2013 Mixtape runs at 124 BPM, a club-tempo track.

What mixes well with All Gone Pete Tong & Skream Miami 2013 Mixtape?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is All Gone Pete Tong & Skream Miami 2013 Mixtape good for peak time?

With energy 67 out of 100 at 124 BPM, it works best as a mid-set roller.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 124 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More techno

#TrackKey·BPM

More from Skream

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.