The Boss - Original Mix
30s preview
- BPM
- 122
- Open Key
- 8m
- Energy
- 71/100
- Pop
- 0/100
- Length
- 6:56
- Released
- 2015
- Album
- Seismic Focus
- Genre
- House
- Loudness
- -8.8 dB
- Dynamics
- 11.6 dB
- ISRC
- BGA691500367
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo house cut, The Boss - Original Mix sits in B♭ minor (3A) at 122 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2015 production that still circulates in sets. More underground than 99% of Simone Vitullo's catalogue. In a set it works best as a floor-filler.
- Brightness:
- brighter than 85% of Simone Vitullo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is The Boss - Original Mix in?
The Boss - Original Mix by Simone Vitullo is in B♭ minor, or 3A on the Camelot wheel.
What BPM is The Boss - Original Mix?
The Boss - Original Mix runs at 122 BPM, a club-tempo track.
What mixes well with The Boss - Original Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is The Boss - Original Mix good for peak time?
With energy 71 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 122 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
More from Simone Vitullo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
