
Midnight Zorna
30s preview
- BPM
- 122
- Open Key
- 9d
- Energy
- 89/100
- Pop
- 0/100
- Length
- 7:56
- Released
- 2016
- Genre
- Progressive House
- Loudness
- -8.8 dB
- Dynamics
- 12.6 dB
- ISRC
- GBLV61633185
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Midnight Zorna - Edward Southerland Radio Editversion9A · 123
- Midnight Zorna - Edward Southerland Remixremix9A · 123
Midnight Zorna is a club-tempo progressive house track in A♭ major (4B) at 122 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2016 production that still circulates in sets. More underground than 99% of Shai T's catalogue. In a set it works best as a floor-filler.
- Energy:
- hotter than 82% of Shai T's catalogue
- Low end:
- more treble-tilted than 77% of Shai T's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Midnight Zorna in?
Midnight Zorna by Shai T is in A♭ major, or 4B on the Camelot wheel.
What BPM is Midnight Zorna?
Midnight Zorna runs at 122 BPM, a club-tempo track.
What mixes well with Midnight Zorna?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Midnight Zorna good for peak time?
With energy 89 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 122 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Shai T
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.