A7 - Tommi Oskari Remix
30s preview
- BPM
- 122
- Open Key
- 8m
- Energy
- 74/100
- Pop
- 0/100
- Length
- 8:31
- Released
- 2015
- Album
- A7
- Genre
- Progressive House
- Label
- PHW Elements
- Loudness
- -11.5 dB
- Dynamics
- 13.3 dB
- ISRC
- US83Z1523761
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- A7 - Roberto Traista Remixremix6B · 122
- A7 - Original Mixoriginal3A · 120
- A7 - Vlada D'Shake Remixremix3A · 120
Against the original (3A at 120 BPM), this version runs 2 BPM faster in the same key.
At 122 BPM in B♭ minor (3A), A7 - Tommi Oskari Remix is a club-tempo progressive house production. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2015 production that still circulates in sets. More underground than 99% of Shai T's catalogue. In a set it works best as a floor-filler.
- Brightness:
- darker than 80% of Shai T's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is A7 - Tommi Oskari Remix in?
A7 - Tommi Oskari Remix by Shai T is in B♭ minor, or 3A on the Camelot wheel.
What BPM is A7 - Tommi Oskari Remix?
A7 - Tommi Oskari Remix runs at 122 BPM, a club-tempo track.
What mixes well with A7 - Tommi Oskari Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is A7 - Tommi Oskari Remix good for peak time?
With energy 74 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 122 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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