Here Today Gone Tomorrow
- Key
- 7A · D minor
- BPM
- 178
- Half-time
- 89
- Open Key
- 12m
- Energy
- 97/100
- Pop
- 1/100
- Length
- 5:07
- Released
- 2015
- Genre
- Drum N Bass
- Loudness
- -0.5 dB
- ISRC
- GB8KE1358967
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Here Today Gone Tomorrow runs 178 BPM in D minor (7A), a drum n bass record. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2015 production that still circulates in sets. Faster than 94% of Serum's catalogue.
- Brightness:
- darker than 78% of Serum's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Here Today Gone Tomorrow in?
Here Today Gone Tomorrow by Serum is in D minor, or 7A on the Camelot wheel.
What BPM is Here Today Gone Tomorrow?
Here Today Gone Tomorrow runs at 178 BPM.
What mixes well with Here Today Gone Tomorrow?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Here Today Gone Tomorrow good for peak time?
With energy 97 out of 100 at 178 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 178 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 167-189 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 178 — beatmatch without a big tempo pull.
More drum n bass
More from Serum
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 178 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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