Two Clocks by Rufus Du Sol cover art

Two Clocks

Rufus Du Sol

30s preview

Key
6A · G minor
BPM
125
Open Key
11m
Energy
69/100
Pop
39/100
Length
3:48
Released
2013
Album
Atlas (Light / Dark Deluxe Edition)
Genre
Dance Pop
Loudness
-7.8 dB
Dynamics
9.9 dB
ISRC
AUDCB1300090

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A club-tempo dance pop cut, Two Clocks sits in G minor (6A) at 125 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. Faster than 84% of Rufus Du Sol's catalogue.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy69
Mood33Balanced
Groove71
Acoustic33
Instrumental82
Live10
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Two Clocks in?

Two Clocks by Rufus Du Sol is in G minor, or 6A on the Camelot wheel.

What BPM is Two Clocks?

Two Clocks runs at 125 BPM, a club-tempo track.

What mixes well with Two Clocks?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is Two Clocks good for peak time?

With energy 69 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 125 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More dance pop

More from Rufus Du Sol

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track