Flames by Roy Rosenfeld cover art

30s preview

Key
11B · A major
BPM
126
Open Key
4d
Energy
82/100
Pop
1/100
Length
7:24
Released
2015
Album
Meeting Point
Genre
Techno
Label
Rusted Records
Loudness
-8.6 dB
Dynamics
10.4 dB
ISRC
USQY51563734

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo techno cut, Flames sits in A major (11B) at 126 BPM. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2015 production that still circulates in sets. Brighter than 86% of Roy Rosenfeld's catalogue. In a set it works best as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood63Balanced
Groove80
Acoustic0
Instrumental89
Live8
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Flames in?

Flames by Roy Rosenfeld is in A major, or 11B on the Camelot wheel.

What BPM is Flames?

Flames runs at 126 BPM, a club-tempo track.

What mixes well with Flames?

From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.

Is Flames good for peak time?

With energy 82 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

11B10B · 12B · 11A

From 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.

Every move from 11B

12BSimple Mix Upper
10BSimple Mix Downer
11ATonal Shift·
12ADiagonal Mix Upper
10ADiagonal Mix Downer
2ACompatible Tone·
1BHigh Energy Boost▲▲▲
9BHigh Energy Drain▼▼▼
2BParallel Key Upper▲▲
8BParallel Key Downer▼▼
6BTritone Jump▲▲
3BRelated Keyrisky

How to mix it

In 11B at 126 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 82/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More techno

More from Roy Rosenfeld

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track