March
- BPM
- 124
- Open Key
- 5d
- Energy
- 86/100
- Pop
- 0/100
- Length
- 6:56
- Released
- 2018
- Genre
- House
- Loudness
- -9.2 dB
- ISRC
- US25X1800089
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
March: club-tempo house, E major (12B), 124 BPM. The mix is almost entirely instrumental. A 2018 production that still circulates in sets. More underground than 99% of Ross From Friends's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 94% of Ross From Friends's catalogue
- Groove:
- groovier than 77% of Ross From Friends's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is March in?
March by Ross From Friends is in E major, or 12B on the Camelot wheel.
What BPM is March?
March runs at 124 BPM, a club-tempo track.
What mixes well with March?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is March good for peak time?
With energy 86 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 124 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Ross From Friends
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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