Destination Lost - Andrea Oliva Extended Remix by Rodriguez Jr. cover art

Destination Lost - Andrea Oliva Extended Remix

Rodriguez Jr.

30s preview

Key
4A · F minor
BPM
125
Open Key
9m
Energy
81/100
Pop
16/100
Length
7:01
Released
2024
Album
Destination Lost (Andrea Oliva Remix)
Genre
Tech House
Loudness
-6.8 dB
Dynamics
14.6 dB
ISRC
NLF712406596

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3B at 125 BPM), this version holds the same tempo and moves the key from 3B to 4A.

At 125 BPM in F minor (4A), Destination Lost - Andrea Oliva Extended Remix is a club-tempo tech house production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). Less groove-driven than 94% of Rodriguez Jr.'s catalogue.

Low end:
more treble-tilted than 90% of Rodriguez Jr.'s catalogue
Energy:
hotter than 79% of Rodriguez Jr.'s catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy81
Mood44Balanced
Groove60
Acoustic0
Instrumental72
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Destination Lost - Andrea Oliva Extended Remix in?

Destination Lost - Andrea Oliva Extended Remix by Rodriguez Jr. is in F minor, or 4A on the Camelot wheel.

What BPM is Destination Lost - Andrea Oliva Extended Remix?

Destination Lost - Andrea Oliva Extended Remix runs at 125 BPM, a club-tempo track.

What mixes well with Destination Lost - Andrea Oliva Extended Remix?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Destination Lost - Andrea Oliva Extended Remix good for peak time?

With energy 81 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 81/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More tech house

More from Rodriguez Jr.

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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