Entering 101
- Key
- 9A · E minor
- BPM
- 133
- Open Key
- 2m
- Energy
- 90/100
- Pop
- 0/100
- Length
- 5:56
- Released
- 2012
- Genre
- Techno
- Loudness
- -8.5 dB
- ISRC
- DEYS32310910
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Entering 101 runs 133 BPM in E minor (9A), a peak-time tempo techno record. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2012 production that still circulates in sets. More underground than 99% of Rodhad's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more bass-heavy than 84% of Rodhad's catalogue
- Energy:
- hotter than 77% of Rodhad's catalogue
- Groove:
- groovier than 75% of Rodhad's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is Entering 101 in?
Entering 101 by Rodhad is in E minor, or 9A on the Camelot wheel.
What BPM is Entering 101?
Entering 101 runs at 133 BPM, a peak-time tempo track.
What mixes well with Entering 101?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Entering 101 good for peak time?
With energy 90 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
![LAVANDE 03 [240106] by Rodhad cover art](https://i.scdn.co/image/ab67616d00001e02aa813d8bd1386bdb25233c0d){kind=small}
![Vermillion 01 [220207.1] by Rodhad cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5b90f202902db9ff4d5d.webp){kind=small}
![KALLAIT 04 [230211.1] by Rodhad cover art](https://i.scdn.co/image/ab67616d00001e02fa93f7c1b8901946ec408df0){kind=small}
How to mix it
In 9A at 133 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
![Vermillion 04 [220208.1] by Rodhad cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/76609a5fff40083075f3.webp){kind=small}
More techno
![VERDUROUS 01 [220207.2] by Rodhad cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/f06a140b12b08900ff61.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![KALLAIT 02 [230831] by Rodhad cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/21ff7a61514a06505d53.webp){kind=small}
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