Burning Old Idols (Lady Starlight remix)
30s preview
- Key
- 4A · F minor
- BPM
- 145
- Half-time
- 73
- Open Key
- 9m
- Energy
- 95/100
- Pop
- 1/100
- Length
- 5:32
- Released
- 2021
- Genre
- Techno
- Loudness
- -8.2 dB
- Dynamics
- 12.1 dB
- ISRC
- BEN582100760
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Burning Old Idols (Lady Starlight remix) runs 145 BPM in F minor (4A), a driving up-tempo techno record. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 12 dB). More treble-tilted than 93% of Regal's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- hotter than 86% of Regal's catalogue
- Tempo:
- faster than 82% of Regal's catalogue
- Groove:
- less groove-driven than 75% of Regal's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Burning Old Idols (Lady Starlight remix) in?
Burning Old Idols (Lady Starlight remix) by Regal is in F minor, or 4A on the Camelot wheel.
What BPM is Burning Old Idols (Lady Starlight remix)?
Burning Old Idols (Lady Starlight remix) runs at 145 BPM, a driving up-tempo track.
What mixes well with Burning Old Idols (Lady Starlight remix)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Burning Old Idols (Lady Starlight remix) good for peak time?
With energy 95 out of 100 at 145 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 145 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More techno
More from Regal
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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